This was one of the craziest yet amazing months of my life.
I started the month completely broke. Instead of freaking out, I put myself together and started working my own projects: 2 scripts and a new demo reel. I had faith that I would pay my bills.
During this time I got to know some people that worked on a new TV station called REDE ITV. This is a Brazilian network based in LA with open programming for the whole southern California and I believe with concession for other US states. I went there for an interview with the owner Josias and his wife Sandra. I was surprised when I discovered that Josias knew my father from the time they were young and used to work together in the same group of actors and directors of stage plays back in the days. The interview went great and after that I did at least 4 freelancer jobs that saved my financial situation.
But the best was about to come. I have a friend called Joe Camacho with whom I had classes together. He mention to me about a production company that needed 1st and 2nd AD for an upcoming low budget film. He thought that it could be a good idea if we worked together there. We went on a meeting and in 4 hours I left the place with a contract in hands. The money was enough to save my finances, but I really didn’t care about that. The best part of this project was the project itself. It’s a film about one of the greatest actors that ever lived: Marlon Brando. What makes this project even more special is the group of people that are involved with it.
Starting with the director Damian Chapa who is definitely a creative person. His passion for filmmaking and his love for the art is visible on every time he smiles on set. He is a grown up man with the power to keep a young soul. We had major obstacles during the process of making this film and, like a warrior, he never let the production down and he kept fighting. This project is a challenge from day one and, in order to make it, one needs a good production team. That’s where Annette Young, Pete Allman, Ryan Torres, and Manny Lopez come to make the dream alive. They are the responsible for everything. They are on top of every issue. All the time they are talking to investors, actors, publicists, and celebrities. If wasn’t for them, there will be no film.
MYC Agnew is the head of everything. He is the voice to be heard and respected. He calls to himself this responsibility and he takes every matter as part of his day by day duties. Everything goes through him. Madla Hruza is the production and costumer designer and she is the artistic eye on every set and costume. She oversees the great work that Amor Sanchez and Parlav Chaudhary do. She is a true artist. Making a film like this needs a very accurate make up department and the head of this department is Keith Beck who is not only very talented but also a very real and nice person. He works with Jason Becker who is the hair stylist, Brittany Hall who is the make up fashion, and Gage Hubbard who is the special effects make up. They are fast and they know what they are doing. They help me more than I help them.
Of course that every film needs actors and this film has an incredible cast. Windy Myers is the casting director that takes care of more than 50 principal actors and 300 extras that we need to make this film come to life. I introduced to her the wonderful and personal friend Lakrishi Kindred who is now helping her with extras.
The camera and sound departments are the best department in this film. Pierre Chemaly is the DP and one of the best that I had the pleasure to work with. Nothing would be possible if he didn’t have a marvelous crew to work with. The Gaffer is Elton James, the grip is Ray Klas, Luigi Ventura is the 1st AC, and the 2nd AC is Abu Baker Siddiq. All of them are fast and understand the nuts and bolts of their profession. Of course that nothing would be possible if the sound department wasn’t good enough to keep up with the camera department. Kirk Dwye is the sound mixer and James O Connor is the boom operator. Together they make the crew complete to deliver one of the most beautiful and controversial indie film of all times. We also have help of a number of PAs who come every other day. Those that I can remember are Joe Hang, Travis Thomas, Parris, Brittani Turner, Jermeil Squnders, and Will Hoover.
There are people who helped but off set. The writer is James Quinn and the editor is Nathaniel Nose. He participated in one scene at the Military base in San Pedro. There is also the still photographer Naoe.
Well this is what I can remember. There are so many people helping on this film that I can not even remember of every one. There are people helping with locations, with cars, with props, with wardrobe, you name it.
I wish I could have more time to talk about each one of them. But at this moment right now, I have to work on the schedule and send call sheets so everybody could be on time at the new location tomorrow. It’s a lot of work, but a great pleasure.
Yesterday we had barbecue on set. We did a late party and everybody loved. I was pleased to see everyone happy. My roommate Peter Roca who helped me to cook for everybody.
9 responses to “BRANDO UNAUTHORIZED – The month of June”
Where is this film at
I watched. didn’t like.
Damian is incredible in this film. I dont know about the other actors
I saw when they were shooting in San clemente
Mandando bem Mario
[…] was the best first AD I ever had the pleasure to work with. She saw on my resume that I worked with Damian Chapa and she knew that I could handle pressure. To me was important to see how a good 1st AD takes care […]
[…] friend Nathaniel Nose called me one day asking if I could be a grip for the production company he was working for. Well, […]